The Flaying of Marsyas
| Description |
Mary Weatherford: The Flaying of Marsyas documents an exhibition of new paintings by Mary Weatherford, which were presented in 2022 at the Museo di Palazzo Grimani, Venice, to coincide with the 59th Biennale di Venezia. This catalog documents an exhibition of paintings from 2021–22 by Mary Weatherford, a daring practitioner of American abstraction and a leading painter of her generation. The series takes its immediate inspiration from Titian’s late painting, The Flaying of Marsyas (c. 1570–76), reflecting the artist’s enduring fascination with this work. Alluding to the Renaissance painter’s subdued palette, while paying tribute to the distinctive light of Venice, Weatherford uses Flashe paint and neon tubing to distill the earlier canvas’s affect. She responds to Titian’s composition by translating the violent character of its mythological theme into a format that, while more improvisational, also alludes to fate, hubris, and the relationship between the human and the divine. Francine Prose’s essay traces the history of depictions of the myth of Apollo and Marsyas in paintings, and places Weatherford’s interpretation of the story in the context of contemporary life. |
| Details |
|
| Shipping & Returns |
Please review our Shipping & Returns page for more details and information on our return policy. If you are not completely satisfied with your purchase, we accept returns on select items within 14 days of receipt. Items must be postmarked by the 14th day to be eligible for a refund. You may contact us should you have any questions. Please note all original shipping charges are non-refundable and return shipping costs are the responsibility of the buyer. We recommend all returns be sent insured and with tracking as we cannot be held responsible for lost or damaged products. All items must be unused and in new condition with any tags still attached. Returns that are damaged, soiled or altered may not be accepted. |
Product Information
Product Information
Shipping & Returns
Shipping & Returns






The Flaying of Marsyas
The Flaying of Marsyas
| Description |
Mary Weatherford: The Flaying of Marsyas documents an exhibition of new paintings by Mary Weatherford, which were presented in 2022 at the Museo di Palazzo Grimani, Venice, to coincide with the 59th Biennale di Venezia. This catalog documents an exhibition of paintings from 2021–22 by Mary Weatherford, a daring practitioner of American abstraction and a leading painter of her generation. The series takes its immediate inspiration from Titian’s late painting, The Flaying of Marsyas (c. 1570–76), reflecting the artist’s enduring fascination with this work. Alluding to the Renaissance painter’s subdued palette, while paying tribute to the distinctive light of Venice, Weatherford uses Flashe paint and neon tubing to distill the earlier canvas’s affect. She responds to Titian’s composition by translating the violent character of its mythological theme into a format that, while more improvisational, also alludes to fate, hubris, and the relationship between the human and the divine. Francine Prose’s essay traces the history of depictions of the myth of Apollo and Marsyas in paintings, and places Weatherford’s interpretation of the story in the context of contemporary life. |
| Details |
|
| Shipping & Returns |
Please review our Shipping & Returns page for more details and information on our return policy. If you are not completely satisfied with your purchase, we accept returns on select items within 14 days of receipt. Items must be postmarked by the 14th day to be eligible for a refund. You may contact us should you have any questions. Please note all original shipping charges are non-refundable and return shipping costs are the responsibility of the buyer. We recommend all returns be sent insured and with tracking as we cannot be held responsible for lost or damaged products. All items must be unused and in new condition with any tags still attached. Returns that are damaged, soiled or altered may not be accepted. |
Original: $100.00
-70%$100.00
$30.00Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
| Description |
Mary Weatherford: The Flaying of Marsyas documents an exhibition of new paintings by Mary Weatherford, which were presented in 2022 at the Museo di Palazzo Grimani, Venice, to coincide with the 59th Biennale di Venezia. This catalog documents an exhibition of paintings from 2021–22 by Mary Weatherford, a daring practitioner of American abstraction and a leading painter of her generation. The series takes its immediate inspiration from Titian’s late painting, The Flaying of Marsyas (c. 1570–76), reflecting the artist’s enduring fascination with this work. Alluding to the Renaissance painter’s subdued palette, while paying tribute to the distinctive light of Venice, Weatherford uses Flashe paint and neon tubing to distill the earlier canvas’s affect. She responds to Titian’s composition by translating the violent character of its mythological theme into a format that, while more improvisational, also alludes to fate, hubris, and the relationship between the human and the divine. Francine Prose’s essay traces the history of depictions of the myth of Apollo and Marsyas in paintings, and places Weatherford’s interpretation of the story in the context of contemporary life. |
| Details |
|
| Shipping & Returns |
Please review our Shipping & Returns page for more details and information on our return policy. If you are not completely satisfied with your purchase, we accept returns on select items within 14 days of receipt. Items must be postmarked by the 14th day to be eligible for a refund. You may contact us should you have any questions. Please note all original shipping charges are non-refundable and return shipping costs are the responsibility of the buyer. We recommend all returns be sent insured and with tracking as we cannot be held responsible for lost or damaged products. All items must be unused and in new condition with any tags still attached. Returns that are damaged, soiled or altered may not be accepted. |























